They have contoured heels and a contour on back of the lower horn, so the upper fret access (even for 24 fret models) is really good (well, as far as LP goes, it's better on something like an Ibanez RG, but it's still good nevertheless). They even have full thickness models if you want a more traditional LP (they're chambered, so they weigh less, but they don't have a belly cut or that lower horn contour their necks are still contoured though). It's probably the best "modern LP" design currently on the market, and they have tons of different finishes to choose from.Īdam Jones’ tone is a hell of a lot about playing dynamics. Throw him a Squier strat and a Marshall MG amp and he’ll still sound like Adam Jones. Work on your muted string techniques, harmonics, timing, and syncopation. Oh my god you’re actually not wrong wait. like the character sets don’t match each other perfectly but ben is very much like james imo. like, the most important thing to him is his family, the people he loves, and he would do anything for them. ben and james are both bleeding heart boys that love like it’s an open wound. and i kind of want to say may is remus, because they’re both volatile when it comes to the people that they care about, but they try hard to clamp down on that most of the time. they want to be good people, and they ARE good people, but they’re hyper aware of their faults. and i would say that mary reminds me so much of lily. like, edgy, tries so hard not to open up but accidentally does. they’re both self-sacrificial and walk through life like they have something to prove. lily, constantly feeling disadvantaged or judged for her blood status. mary, constantly looking over her shoulder and doing good because she’s already done so much bad, and she doesn’t want her bad parts to be her whole story. and richard really doesn’t match sirius imo but there are little similarities, like their abilities to see people as they really are, their tendencies to judge people based off of their actions rather than their reputations, and their unwavering faith in the people they love. But with a little can-do attitude I bet I can make the post relevant. Ready! This particular #AstonMartin V8 Vantage S is effectively a courtesy car from of #5speedAutomotive after gave up on us the other day in Oxfordshire & was relayed to Nottingham for necessary repairs. Aston Martin are based in Gaydon, adjacent to Jaguar Land Rover HQ. Not enough of a connection? OK, the gloves are off. British car designer, Ian Callum CBE FRSE became the Director of Design for Jaguar Cars in 1999 - 2019, which later merged into JLR. He previously worked at Ford, TWR & Aston Martin. Untitled Document Conversion of SSB CB Radios to 10 Meter QRP OperationĮarly in 2009 I posted an inquiry on the QRP-L Reflector about any and all that may have converted SSB CB Radios to 10 Meters.In conclusion, I'm effectively driving a Puma. I received many helpful inputs and suggestions. After digesting those inputs I chose to look at the 23 Channel units since many of these radios use Crystal Synthesizers. With crystals that raised the possibly to utilize commonly available inexpensive Computer Crystals to move the frequency to 10 Meters. The typical crystal synthesizers uses two banks of crystals arranged in a bank of four and bank of six arrays. The bandswitch is arranged so that the first crystal in the bank of six is mixed with the four crystals in succession so that at initiation that would give channels 1 to 4. Then the second crystal in the bank of six is mixed in succession with the four crystals to give channels 5 to 8. Interestingly the first three crystals in the bank of four are separated by 10 kHz but the last channel is 20 kHz. Typical frequencies for the banks of crystals were in the 11 MHz range for the bank of six and in the 7 to 8 MHz range for the bank of four. One popular SSB generation scheme used by many manufacturers was to employ a 7.8 MHz Crystal Filter and the carrier frequency was generated at 7.8025 MHz which typically gives an Lower Sideband output when used in an additive mixer stage. To switch between USB and LSB, in lieu of using two crystals, injection Frequencies 7.8025 MHz above and below the desired operating frequency are generated. Thus the mixing process in receive and transmit was shifted to LSB or USB depending on whether the Local Oscillator was above or below the Intermediate Frequency (IF). Typically in the CB mode for USB a mixing frequency at 34 MHz was used and for LSB and AM 19 MHz was used as the Local Oscillator. When supplying a Local Oscillator signal above the operating frequency the mixing process (subtractive) results in a sideband inversion.
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